At the newest edition of the Kochi-Muziris Biennale (KMB), Mumbai-based artist Biraaj Dodiya’s installation DOOM ORGAN unfolds as a charged, unsettling meditation on how contemporary life processes violence, loss, and remembrance. Concept & Themes - Meditation on violence, loss, and remembrance: The work explores how contemporary life processes trauma and memory. - Dual atmospheres: It oscillates between the heightened drama of a sports arena and the hushed stillness of a mortuary, symbolizing spectacle versus silence. - Metaphor of the “doom organ”: An imagined ancient instrument that absorbs and releases collective grief, refusing erasure and amnesia. Materials & Structure - Assemblage of forms: Painted steel sculptures, intimate linen paintings, and photographs. - Motifs: - Medical stretchers & autopsy tables → evoke care and finality. - Basketball posts → symbolize competition, triumph, and defeat. - Paintings & photographs: Hover between body and landscape, with earthy pigments that crack and erode, resembling excavation and buried histories. Inspirations & References - Historical rupture: The 1341 Kerala deluge that collapsed Muziris and gave rise to Kochi. - Local geography: Ocean horizons, textured walls of the Kappiri shrine, and violent floods shaping the region. - Global resonance: Circulation of bruised and broken bodies across digital media, consumed and discarded at speed. Artist’s Voice - Dodiya reflects: “The medical stretcher and basketball backboards, two opposing motifs that evoke very different relationships to our physicality, anchor the installation. Together they make a fictional space, one symbolizing stillness and loss, the other winning, movement, power.” Impact - Raises questions: Who is seen, who is remembered, and who disappears without trace? - Positions art as resistance against erasure, insisting that fractured memory still demands to be heard. - Offers no resolution—only a haunting reminder that silence and spectacle coexist in our present moment.
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